
Icarus, Hester Prynne and the Prodigal Son all made their presence felt Wednesday night in Dallas
On the evening of April 9, 2025, the Los Angeles Lakers came to Texas to play the home-town Dallas Mavericks. The game had meaningful Playoff implications for both teams – LA would clinch an outright Playoff berth if they won; Dallas would clinch a Play-In spot with a win of their own. The Lakers prevailed, but ultimately both teams ended up with a guarantee to play past game 82 (the Mavs secured a Play-In spot by way of the Phoenix Suns pushing their losing streak to eight games). None of this was the real story of the night of course. The real story was the return of Luka Doncic to Dallas. The night provided lasting images that will haunt Mavs’ fans for years while simultaneously providing them the comfort that Luka will always be part of the city in some way, however metaphysical it may be.
The night was nothing short of bizarre. Anyone who has watched even a modicum of NBA games has surely seen a player return to a former city only to be booed mercilessly every time they touch the ball. Mavs fans witnessed this in the NBA Finals last year, as Boston Celtic fans were relentless toward Kyrie Irving. Ironic that the very same fans who witnessed that, serenaded Luka Doncic in quite the opposite way when given the chance. Has there ever been a game in NBA history where a returning player is raucously cheered each and every time he touches the ball en route to a 45-point performance that dropped the home team? Wednesday night was likely the first of its kind. Adding yet another layer to the oddity of it all, the very same fan base never missed a chance to bellow “Fire Nico” chants at much-maligned Mavericks GM Nico Harrison. Those chants were clearly audible over the ESPN broadcast and even openly acknowledged, on multiple occasions, by Mike Breen from his announcer’s chair.
Seeing Nico Harrison at his vantage point in a tunnel just a few feet from the court, it’s difficult not to wonder what could possibly have been going through the mind of perhaps the loneliest man in Texas as the night unfolded. Harrison’s silence since a post-trade press conference makes it impossible to know. Coupled with the general notion that the “villain” rarely gets a chance to express their feelings, we’re left only to speculate. An image of Luka Doncic side-by-side with The Prodigal Son evoked certain speculative thoughts that transcended the game itself. The images and circumstances of the night have allusions to everything from Greek myth, to literary classics, to the aforementioned parable which may afford us some sense of what Nico Harrison felt on an April night.
The Flight of Icarus
The Greek myth about a man named Icarus and his father, Daedalus, can be interpreted in many ways, but at the very least serves as a cautionary tale to most readers. Trapped on the island of Crete by the same tyrannical king for whom they exiled the Minotaur, the two make their escape after fashioning wings out of metal feathers adhered to a frame by way of hardened wax. Euphoric with the ability to fly, Icarus disregards his father’s warnings to fly low and instead soars to heights unimaginable, only to find his wings melting under the sun’s harsh rays. His literal fall from grace is often depicted in a frightening manner that sees him desperately trying to stay aloft before falling to his doom.
Harrison similarly exiled Luka Doncic on the promise of better things to come behind a more defensive-minded team and a motivation to make a championship play immediately and for the next few years. A litany of injuries have turned a shocking trade into a general disaster which muddies the view of what could have been this season, but Harrison’s apparent hubris toward Doncic and his general tone-deafness toward the fanbase echo a “I know best” mentality and blatant disregard for warning cries that never actually had to be uttered for the GM to be aware of them. Whether Harrison felt like he was plummeting on Wednesday night while Mavs fans joyously cheered an opponent in the house he presides over, we’ll never know for sure, but one has wonder. Did he privately concede folly as flapped in vain, watching the eventual 3 Seed decimate his sub-.500 10 Seed, or did his apparently hyper-competitive nature distill in him a newfound motivation to be proven right somewhere down the line?
The Indelible Mark
In 1850, Nathaniel Hawthorne wrote The Scarlet Letter. In his tale, Hester Prynne is forced to wear a scarlet letter “A” (representing “adultery”) on her clothing for the remainder of her life after she has a child out of wedlock and is ultimately shunned by the townspeople she remains among. Generally considered a literary classic, the novel touches on themes of nonconformity, retreating into oneself and many others. On a purely popular culture level, many (including those that never read the book) recognize the scarlet letter as an outright pejorative.
With the proliferation of “Fire Nico” chants – said chants have gone well beyond Maverick games, crossing into multiple sports and public venues – Harrison may be wearing his own version of a scarlet letter. Like Prynne, he may never be able to remove it, at least not anywhere within Texas. What could it possibly have felt like to wear a proverbial mark that made him the direct target of ridicule and jeers, not only for the past two months, but particularly on the night where the targeting was most resounding of all?
The Prodigal Son
The Return of the Prodigal Son, by Guercino, 1651 https://t.co/G5F48Sgubq pic.twitter.com/Mp2ZVhsR7O
— ArtButMakeItSports (@ArtButSports) April 10, 2025
Art often imitates life imitates art, but this example of Doncic mirroring a painting created over 370 years ago is nothing short of uncanny. Italian artist Guercino created this work of art in the 1650’s. Luka did his best rendition of it Wednesday night as he shed tears during a tribute video played prior to the game.
If you’re not up on your religious studies, The Prodigal Son is a Biblical parable in the Gospel of Luke. In short, the parable recounts the circumstances of an insolent son who demands his inheritance from his still-living father. He then leaves to squander said inheritance, falls into poverty, and returns home to beg forgiveness from the very man he slighted. His father welcomes him back and throws a feast for him, much to the chagrin of his other ever-faithful son who refuses to enter the home to enjoy the party. The father’s motivation is resounding – his faithful son already shared in all that belonged to his father, while the Prodigal Son was “dead,” yet returned to life.
Aside from the astounding similarities between Doncic and a painting, the parable does not perfectly fit the circumstances of Doncic’s subsequent return to Dallas on Wednesday night. Still, the similarities can’t be denied. Doncic and Harrison play somewhat inverted versions of The Prodigal Son and his brother, respectively. On the surface, Doncic was welcomed with open arms to what amounted to a frenzied party in his honor. Doncic did not demand his leave, but rather was ousted despite all accounts suggesting he was the faithful party. Harrison is the angry brother, but instead of being the sympathetic individual who refused to join the party, he is the “villain” who simply wasn’t invited to the party in the first place, but instead was relegated to watching it unfold, secluded in an American Airlines Center tunnel.
There is no opinion to be stated here, just observation. At some point we’ve all likely known the feeling of being the person everyone is staring and pointing at, but I’m not quite sure anyone can really fathom the magnitude of what Harrison felt that night (save for the GM himself). Catching a quick side-by-side picture of Luka Doncic and a painting sent my mind across history to find correlations that perhaps leave us to wonder if we in fact witnessed the NBA equivalent of an unforgettable tale that will be spoken about for decades to come.